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In the art world, we can discover psychedelia by exploring symmetry. But as is often found in the case of a real psychedelic experience, noise, imperfections, and alien imbalance in the visuals play a key role. I strive to avoid a psychedelia that is fitted with straight edges and jagged lines. In this study, I aim to create a psychedelia that is loosely symmetrical and highly colorful- overlapping geometries and colored layers fuse together to generate unexpected hues and forms, while still maintaining a consistent balance of whites
